Here is some
general information about my kaleidoscopes that I hope you will find
helpful.
Mirrors:
-
I use only
Front Surface Mirror, “A” quality
-
I work
primarily in a 2-mirror configuration (6-7-8-9-10-11 point
stars)
Medium:
-
My work is
in etched glass and various metals, whether it is
tubing or hand forged.
-
Patinas on
metal will change over time.
-
Etched
glass tubing
– In 2006, I added this line to my kaleidoscope art. It is
called “Memories” and there are both limited editions as well as
open editions in this line. I can also do custom etching
for your gallery, your corporate customers, or special
occasions. This line continues to grow in design options.
Object cells:
-
My
kaleidoscopes will be shipped with an oil cell that is
side lit or a polarized filter chamber that
receives light from the end.
-
The
Polarized Chambers are collaboration with renowned
kaleidoscope artist Glenn Straub.
-
With
the polarized chambers, the best images are
received when the light is close to the cell at the end of the
kaleidoscope (not through the sides).
-
The oil
used in my oil cells is a pure silicone oil.
-
My cells
have been called “be-jeweled.” They include filigree,
cloisonné, vintage beads, crystals, metal beads and charms, etc.
-
Additional
oil cells, dry cells, or empty dry cells are available – your
customers may want those for an extra image or to create their
own with the empty dry cell.
-
The object
cell is turned either on the black bottom or by placing your
fingers on the clear cell and rotating. You may have to
instruct your customers on this – else they tend to turn the
entire tube.
-
Most
people prefer the view when the apex of the mirrors (the point)
is at either 4:30 or 7:30 – but other angles are pleasing as
well.
Care:
-
Dust the
metal or wooden tubing.
-
You may
use a fine metal polish on the brass fittings
-
Do not use
polish on the etched brass body of Whispers or the steel scope,
Mirage – the patina may be lost
-
It is best
not to leave your scope in direct sunlight for long periods
of
time.
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